{"id":1331,"date":"2025-12-21T04:06:46","date_gmt":"2025-12-21T07:06:46","guid":{"rendered":"http:\/\/agustinmiguez.com\/?page_id=1331"},"modified":"2026-01-30T02:34:13","modified_gmt":"2026-01-30T05:34:13","slug":"cv","status":"publish","type":"page","link":"https:\/\/agustinmiguez.com\/en\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"
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<\/p>\n\n\n\n

CV<\/h1>\n\n\n\n
Exhibitions (selection)<\/summary>\n

2025<\/p>\n\n\n\n

What the Current Carries. Curated by Mercedes Lozano and Violeta Gonz\u00e1lez Santos. Recoleta Cultural Center, Argentina. [feed<\/a>]<\/p>\n\n\n\n

Annual National Exhibition of the Municipal Museum of Visual Arts [3rd prize]. Municipal Museum of Visual Arts Sor Josefa D\u00edaz y Clucellas, Argentina. [feed<\/a>]<\/p>\n\n\n\n

Private Rental<\/em>. Curated by: La Dealer. L\u00f3pez Claro Museum, Argentina. [feed<\/a>]<\/p>\n\n\n\n

102nd Annual National Exhibition of Santa Fe<\/em>. Caillet Bois Selection. Rosa Galisteo Museum, Argentina. [feed<\/a>]<\/p>\n\n\n\n

To Beijing<\/em>.Curated by Francisca Amigo, FAKTOR, Juan Francisco Masabeu, Carolina Mart\u00ednez Pedemonte, and Danila Desir\u00e9e Nieto. Fortabat Foundation, Argentina.feed<\/a>]<\/p>\n\n\n\n

Dreamscapes<\/em>. Curated by Anna Bouali. Xposed Gallery, New York. [feed<\/a>]<\/p>\n\n\n\n

2024<\/p>\n\n\n\n

Hashtag #2 \u2013 Eutopia<\/em>. Curated by Gabriela Serkin. Fine Arts Pavilion, UCA. Argentina. <\/p>\n\n\n\n

This is my place. Contemporary Argentine video art<\/em>. Curated by Rodrigo Alonso. CCK. Argentina. [feed<\/a>]<\/p>\n\n\n\n

VII Museari Queer Art Exhibition.<\/em> Museum of Fine Arts of X\u00e0tiva. Spain. [feed<\/a>]<\/p>\n\n\n\n

Hybridization, Mutation, and Camouflage<\/em>. Museari. Valencia, Spain. <\/p>\n\n\n\n

2023<\/p>\n\n\n\n

76th National Exhibition of Rosario<\/em>. Rosario Museum of Contemporary Art. Rosario, Argentina.feed<\/a>]<\/p>\n\n\n\n

Downtown Galicia Tower Account. <\/em>Curator: Patricia Rizzo. Torre Central Galicia. Buenos Aires, Argentina. [feed<\/a>]<\/p>\n\n\n\n

The border as a space of utopia<\/em>. Curated by Nicol\u00e1s Sosa. ARDER on the border. UNILA. Foz de Iguaz\u00fa.<\/p>\n\n\n\n

Life Forces Pass Through Matter<\/em>. Curated by Violeta Gonzalez Santos and Mercedez Lozano. Gunpowder Space. Argentina. [feed<\/a>]<\/p>\n\n\n\n

A House With Only the Light of the Door<\/em>. Curated by Maximiliano Peralta Rodriguez and Cintia Clara Romero. Espacio Delta, Argentina.<\/p>\n\n\n\n

Environmental Technopoetics<\/em>. Curated by Jazm\u00edn Adler. Cultural Center of Spain of Rosario. Argentina.<\/p>\n\n\n\n

2022<\/p>\n\n\n\n

Santa Fe Night Videos<\/em>. Curated by Malcolm D\u2019Stefano and Violeta Mansilla. UV Studios. Argentina.<\/p>\n\n\n\n

Environmental Technopoetics<\/em>. Curated by Jazm\u00edn Adler. Recoleta Cultural Center + Spanish Cultural Center of Buenos Aires. Argentinafeed<\/a>]<\/p>\n\n\n\n

2020<\/p>\n\n\n\n

Spring Exhibition. Sor Josefa D\u00edaz y Clucellas Municipal Museum of Visual Arts, Argentina. (award)<\/p>\n\n\n\n

Eating Techno, Dancing Techno, curated by Alejandr\u00eda Cinque. Bilbao Arte, Spain. [feed<\/a>]<\/p>\n\n\n\n

2019<\/p>\n\n\n\n

Atlas<\/em>. Curated by Andr\u00e9s Dorigo. MMAV Sor Josefa Diaz y Clucellas, Argentina.<\/p>\n\n\n\n

The Pod<\/em>. National Film School of Venezuela and National University of the Littoral, Argentina. University Cultural Forum of the UNL, Argentina.<\/p>\n\n\n\n

La Surub\u00ed, multimedia art<\/em>. School of Visual Arts Professor Roberto L\u00f3pez Carnelli, Argentina.<\/p>\n\n\n\n

2018<\/p>\n\n\n\n

Successor<\/em>. Curated by Luc\u00eda Ehrlich. SUBTE Exhibition Center, Uruguay.<\/p>\n\n\n\n

11th Biennial of Young Art of the UNL, National University of the Littoral, Argentina.<\/p>\n\n\n\n

Exhibition: Artistic Languages and Memory: Spaces, Times, Affections, National University of Quilmes, Argentina.<\/p>\n\n\n\n

2015<\/p>\n\n\n\n

Expresarte Festival, National University of the Littoral, Argentina.<\/p>\n\n\n\n

2014<\/p>\n\n\n\n

Expresarte Festival, National University of the Littoral, Argentina.<\/p>\n\n\n\n

<\/p>\n<\/details>\n\n\n\n

Awards and support (selection)<\/summary>\n

2025<\/p>\n\n\n\n

3rd Prize, Annual National Exhibition of the Municipal Museum of Visual Arts, Sor Josefa D\u00edaz Municipal Museum of Visual Arts. Jury: Rodrigo Alonso, Daniela Arnaudo, Mar\u00eda Laura Mart\u00ednez Spaggiari, Mar\u00eda Teresa Tenorio, Florencia Olmos.feed<\/a>]<\/p>\n\n\n\n

2024<\/p>\n\n\n\n

Training scholarship for the Artists Program. Torcuato Di Tella University. Argentina.<\/p>\n\n\n\n

2023<\/p>\n\n\n\n

Present Continuous Scholarship. Andreani Foundation, Williams Foundation, and Bunge y Born Foundation. Argentina.<\/p>\n\n\n\n

Hybrid Scholarship. Espacio Belgrado. Argentina.<\/p>\n\n\n\n

Coordenadas Scholarship. Coordenadas Art. Jury: Monica Heller and Karen Grimson. Argentina.<\/p>\n\n\n\n

2022<\/p>\n\n\n\n

Production support Ventanilla Continua. Promotion Plan. Ministry of Culture of the Province of Santa Fe. Argentina.<\/p>\n\n\n\n

Creation Grant. National Arts Fund. Argentina.<\/p>\n\n\n\n

Medialab Award 2022. Contemporary Art MediaLab CCEBA 2022. Spanish Cultural Center in Buenos Aires, Argentina.feed<\/a>]<\/p>\n\n\n\n

Scholarship for Workshop on Analysis, Production, and Support of Artistic Projects. Curator Residency, Argentina.<\/p>\n\n\n\n

Develop IV Fund<\/em> (Trout Project). Ministry of Culture of Argentina.<\/p>\n\n\n\n

Support for artistic training. Andreani Foundation and Bunge y Born Foundation, Argentina.<\/p>\n\n\n\n

2021<\/p>\n\n\n\n

Sostener Cultura Grant. National Arts Fund, Argentina.<\/p>\n\n\n\n

Develop III Fund (Trout Project). Ministry of Culture of Argentina.<\/p>\n\n\n\n

2020<\/p>\n\n\n\n

Performance training scholarship. Valeria Pirizz, Uruguay.<\/p>\n\n\n\n

3rd prize, Spring Exhibition. Sor Josefa D\u00edaz Clucellas Municipal Museum of Visual Arts, Argentina.<\/p>\n\n\n\n

Develop Fund I (Trout Project). Ministry of Culture of Argentina.<\/p>\n\n\n\n

2018<\/p>\n\n\n\n

Mobility grant from the Escala Program. Association of Universities of the Montevideo Group and National School of Fine Arts Institute, Uruguay. <\/p>\n\n\n\n

Scholarship for the development of a tutoring project. National University of the Littoral, Academic Support Program for New Students, Argentina.<\/p>\n\n\n\n

<\/p>\n<\/details>\n\n\n\n

Residences and others (art)<\/summary>\n

2023<\/p>\n\n\n\n

Resident<\/strong>Fall \u201823 Season. Coordenadas Residency. Coordinates Art. Argentina.<\/p>\n\n\n\n

2022<\/p>\n\n\n\n

Resident<\/strong>: Curatorial Residency, season 22.<\/a> Argentina\u00a0<\/p>\n\n\n\n

2019<\/p>\n\n\n\n

Publisher <\/strong>Guest editor: Trip, Montevideo. Publication promoted by artist Alejandr\u00eda Cinque. Spain.feed<\/a>]<\/p>\n\n\n\n

Jury<\/strong>: Collective Art, Sixth Stop<\/a>. Autobuses Santa Fe, Autobuses Neuqu\u00e9n and Empresa Recreo, Argentina.<\/p>\n\n\n\n

2018\u20132022<\/p>\n\n\n\n

Coordinator and teacher<\/strong>. Trout Project<\/a> (self-managed training and circulation platform for emerging artists from the littoral region), Argentina.<\/p>\n\n\n\n

<\/p>\n<\/details>\n\n\n\n

Curation and production<\/summary>\n

2025<\/p>\n\n\n\n

Humo Placer. Co-curated with La Dealer collective. La Josefa, Argentina.<\/p>\n\n\n\n

2018 - 2023<\/p>\n\n\n\n

Management and teaching in Trout Project<\/a>. Argentina
[Independent project of accompaniment and circulation for emerging artists supported by the Ministry of Culture of the Nation, and the National Fund for the Arts].<\/p>\n\n\n\n

Direction of the Cultural Production Workshop of the Secretariat of Education and Culture. Municipality of Santa Fe, Argentina.
[Coordination of multidisciplinary teams, budget management, creation and execution of interactive\/spatial\/educational devices].<\/p>\n\n\n\n

2022<\/p>\n\n\n\n

Affective projections: requested structures. Dr. Urbano Poggi Art Museum. Rafaela, Argentina.
Solo exhibition Pablo Brandolini Bertone<\/p>\n\n\n\n

Obsolete Reprogramming, Project Trout. Experimental Color Center, Argentina.
Players: Quill\u00e9n Capit\u00e1n, Pablo Brandolini; Nazareno Marozzi, Campi Helwig, and Ainara Iungman<\/p>\n\n\n\n

Eating Techno, Dancing Techno, stories of a disposable generation. Solo exhibition by Alejandr\u00eda Cinque. Bilbao Arte Foundation, Spain.<\/a><\/p>\n\n\n\n

2020<\/p>\n\n\n\n

Covid Fainting Show 2.0 Edition<\/a>, Trout Project. Artsteps.com.
Selected participants: Colectivo Ratona, Ariana Beilis, Malcon D\u2019stefano, Quill\u00e9n Capit\u00e1n, Leonel Collazo, Luisho Diaz.<\/p>\n\n\n\n

2019<\/p>\n\n\n\n

Desmayo XX-IX Salon<\/a>, Proyecto Trucha. Equality and Participation, Argentina.
Selected participants: Nicol\u00e1s Bassi, Carla Britos, Aome Katze.<\/p>\n\n\n\n

T\u00eda Vera Room XX-IX<\/a>, Trout Project. Demos Cultural Center, Argentina.
Selected participants: Malcon D\u2019stefano, Nicol\u00e1s Bassi, Mail\u00e9n Bangerter, Nazarneo Marozzi.<\/p>\n\n\n\n

Here's Another One, Tripi Montevideo. Editorial curation. Photography magazine by Alejandr\u00eda Cinque. Spain.<\/p>\n\n\n\n

<\/p>\n<\/details>\n\n\n\n

Courses taught (selection)<\/summary>\n

2022<\/p>\n\n\n\n

Teacher: Take The Red Pill<\/a>. Proyecto Trucha + Ministerio de Cultura de la Naci\u00f3n, Argentina.<\/p>\n\n\n\n

2021<\/p>\n\n\n\n

Teacher: Introductions to Contemporary Art<\/a>. Proyecto Trucha + Ministerio de Cultura de la Naci\u00f3n, Argentina.\u00a0<\/p>\n\n\n\n

Teacher: State of art: Feminist Art<\/a>. Trout Project, Argentina.<\/p>\n\n\n\n

Teacher: The Role of Women in Art. Trucha Project, Argentina.<\/p>\n\n\n\n

2020<\/p>\n\n\n\n

Teacher: Introductions to Contemporary Art. Trucha Project and DEMOS Cultural Center, Argentina.<\/p>\n\n\n\n

<\/p>\n<\/details>\n\n\n\n

Supplementary training (selection)<\/summary>\n

2023<\/p>\n\n\n\n

Presente Continuo training program. Rafael Lozano Hemmer, Guto N\u00f3brega, Maurice Benauyoun. Andreani Foundation, Williams Foundation, and Bunge y Born Foundation. Argentina<\/p>\n\n\n\n

After the NFT. Julian Leon Camargo. Residence Coordinates. Argentina<\/p>\n\n\n\n

Laboratory for experimentation with image, sound, space, and body. Mercedez Lozano, Violeta Gonzalez Santos. Espacio Belgrado. Argentina<\/p>\n\n\n\n

2022<\/p>\n\n\n\n

Clinics promoted by the Spanish Cultural Center in Buenos Aires + MediaLab. Laura Spivak, Carlos Huffman, Lara Marmor. Argentina.<\/p>\n\n\n\n

Art, Science, and Technology: Artificial Intelligence as a Creative Tool, Daniel Canogar. Andreani Foundation, Argentina.<\/p>\n\n\n\n

Workshop on Analysis, Production, and Support for Artistic Projects. Cintia Clara Romero and Maximiliano Peralta Rodriguez. Curator, Argentina.<\/p>\n\n\n\n

 2021<\/p>\n\n\n\n

Individual clinics. Malcon D\u2019Stefano. Argentina.<\/p>\n\n\n\n

Workshop on Analysis, Production, and Support for Artistic Projects. Curator, Argentina.<\/p>\n\n\n\n

2020<\/p>\n\n\n\n

Performance Workshop \u2013 Action Art: Theory and Practice for (In)Disciplining Ourselves, Valeria Pirizz, Uruguay.<\/p>\n\n\n\n

Workshop on Analysis, Production, and Support for Artistic Projects. Curator, Argentina.<\/p>\n\n\n\n

2019<\/p>\n\n\n\n

Workshop: Visions of Being an Artist, Carlos Herrera. Espacio P\u00farpura, Argentina.<\/p>\n\n\n\n

Workshop: What is the aim? You <\/s>Me, Myself? Fernanda Aquere. Espacio P\u00farpura, Argentina.<\/p>\n\n\n\n

Workshop: (Un)Borders of Art in Contemporary Times, Roberto Echen. Espacio P\u00farpura, Argentina.<\/p>\n\n\n\n

2018<\/p>\n\n\n\n

Continuing Education Program, Fernando L\u00f3pez Lage. Contemporary Art Foundation, Uruguay.<\/p>\n\n\n\n

Introduction to Contemporary Art, Fernando L\u00f3pez Lage. Contemporary Art Foundation, Uruguay.<\/p>\n\n\n\n

2017<\/p>\n\n\n\n

Workshop: Generating an Experience Through Persistence, Malcon D\u2019Stefano. Faculty of Architecture, Design, and Urban Planning, National University of the Littoral, Argentina.<\/p>\n\n\n\n

<\/p>\n<\/details>\n\n\n\n

Academic performance and complementary training<\/summary>\n

2023<\/p>\n\n\n\n

Introduction to Video Game Design. Digital Training Program Connect Employment. Telef\u00f3nica Foundation.<\/p>\n\n\n\n

Bachelor's degree in Architecture. National University of the Littoral. Argentina.<\/p>\n\n\n\n

2022 \u2013 continues<\/p>\n\n\n\n

Bachelor's Degree in Cultural Industries. University of Rafaela. Argentina.<\/p>\n\n\n\n

2017<\/p>\n\n\n\n

Volunteering: Social Interest Outreach Project, Towards the Construction of a Participatory and Associated Management Model within the Framework of Popular Communication. Directorate of Community and Organizational Development of the Outreach Secretariat of the National University of the Littoral, Argentina.<\/p>\n\n\n\n

Training course: The Bridge from Studying to Building. Management School of the Argentine Chamber of Construction, Argentina.<\/p>\n\n\n\n

Study Methodology. Technical University of Loja, Ecuador.<\/p>\n\n\n\n

Virtual Workshop at RED ARQUISUR, Project Knowledge. ARQUISUR and National University of the Littoral, Argentina.<\/p>\n\n\n\n

2016<\/p>\n\n\n\n

Research internship: Triadic Socio-spatiality in Today's Urbanity: Distal, Proximal, and Proprioceptive. CAI+D Program (Course of Action for Research and Development). Faculty of Architecture, Design, and Urbanism, National University of the Littoral, Argentina.<\/p>\n\n\n\n

Preparatory seminar: 21st Mercociudades Summit \u201cInternationalization of cities. Challenges and experiences at the regional level.\u00ab Municipality of Santa Fe and National University of the Littoral, Argentina.<\/p>\n\n\n\n

2015<\/p>\n\n\n\n

Conference: Morphology Conference, Reflections. Argentine Society for Morphological Studies, Center for Morphological Studies, Faculty of Architecture, Design, and Urban Planning, National University of the Littoral, Argentina.<\/p>\n\n\n\n

Seminar: Ideas Workshop. Faculty of Architecture, Design, and Urban Planning, National University of the Littoral, Argentina.<\/p>\n\n\n\n

Panelist: Virtual Workshop at RED ARQUISUR, Vulnerable Cities. ARQUISUR and National University of the Littoral, Argentina.<\/p>\n\n\n\n

2013<\/p>\n\n\n\n

Conference: Morphology Conference, Expressions. Argentine Society for Morphological Studies, Center for Morphological Studies, Faculty of Architecture, Design, and Urban Planning, National University of the Littoral, Argentina.<\/p>\n\n\n\n

Seminar: Ideas Workshop. Faculty of Architecture, Design, and Urban Planning, National University of the Littoral, Argentina.<\/p>\n\n\n\n

<\/p>\n<\/details>\n\n\n\n

Academic background<\/summary>\n

2025<\/p>\n\n\n\n

16th Program for Artists. Torcuato Di Tella University, Argentina.<\/p>\n\n\n\n

2022<\/p>\n\n\n\n

Bachelor's degree in Architecture and Urban Planning. Faculty of Architecture, Design, and Urban Planning, National University of the Littoral, Argentina.<\/p>\n\n\n\n

2018<\/p>\n\n\n\n

Continuing Education Course for Graduates: Art and Science in Interactivity, Mariel Cisneros. National School of Fine Arts Institute, University of the Republic. Uruguay.<\/p>\n\n\n\n

Introduction to Action Art \/ Performance, Carlos Seveso, Valeria Pirizz. National School of Fine Arts Institute, University of the Republic. Uruguay.<\/p>\n\n\n\n

Continuing Education Course for Graduates: Aesthetics of Error, Marco Umpierrez. National School of Fine Arts Institute, University of the Republic. Uruguay.<\/p>\n\n\n\n

Seminar: Workshop on Reading and Writing Academic Texts. National School of Fine Arts Institute, University of the Republic. Uruguay.<\/p>\n\n\n\n

Workshop on Free Aesthetic and Pedagogical Orientation, L\u00f3pez de la Torre. National School of Fine Arts Institute, University of the Republic. Uruguay.<\/p>\n\n\n\n

Workshop on Free Aesthetic and Pedagogical Orientation, H\u00e9ctor Laborde. National School of Fine Arts Institute, University of the Republic. Uruguay<\/p>\n\n\n\n

2017<\/p>\n\n\n\n

Teacher training: Gender Studies. Perspectives, Topics, and Issues. Teachers' Association of the National University of the Littoral, Argentina.<\/p>\n\n\n\n

Teacher training: Tutor Training Course. Directorate of Level Coordination and Admissions, National University of the Littoral, Argentina.<\/p>\n<\/details>\n\n\n\n

Teaching performance (selection)<\/summary>\n

2018-2023<\/p>\n\n\n\n

Management and teaching at Proyecto Trucha. Argentina<\/p>\n\n\n\n

2017<\/p>\n\n\n\n

Academic tutor: Academic Support Program for New Students. National University of the Littoral, Argentina.<\/p>\n\n\n\n

2016<\/p>\n\n\n\n

Visiting lecturer: Morphology III, Roses chair. Faculty of Architecture, Design, and Urban Planning, National University of the Littoral, Argentina.<\/p>\n\n\n\n

Teaching assistant: Architectural Workshop I, Bessone chair. Faculty of Architecture, Design, and Urban Planning, National University of the Littoral, Argentina.<\/p>\n\n\n\n

Trainee teacher: Basic Design Workshop, Bessone chair. Faculty of Architecture, Design, and Urban Planning, National University of the Littoral, Argentina.<\/p>\n\n\n\n

International tutor: International Student Mobility Program (PROINMES). Office of International Relations, National University of the Littoral, Argentina.<\/p>\n\n\n\n

2015<\/p>\n\n\n\n

Visiting professor: Graphic Communication Workshop, Frontera Chair. Faculty of Architecture, Design, and Urban Planning, National University of the Littoral, Argentina.<\/p>\n\n\n\n

Visiting lecturer: Morphology II, Frontera Chair. Faculty of Architecture, Design, and Urban Planning, National University of the Littoral, Argentina.<\/p>\n\n\n\n

2014<\/p>\n\n\n\n

Visiting professor: Morphology II, Frontera chair. Faculty of Architecture, Design, and Urban Planning, National University of the Littoral, Argentina.<\/p>\n\n\n\n

<\/p>\n<\/details>\n<\/div>","protected":false},"excerpt":{"rendered":"

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