What Lies Eternally Is Not Dead

The piece is situated in the gaze of one who witnesses the last landscape, a scenario where the horizon touches the end of time but, at the same time, reveals the infinite nature of the living. The story is based on the premise that even in eternal stillness there is no definitive death, but a latency that awaits its own pulse. This last beat of life does not manifest itself as agony, but as a mystical phenomenon that recovers the memory of the sacred: a sun that moves and flickers, emulating the stories of the apparitions of Fatima, where light itself becomes unstable and rhythmic. In this dystopia of the eternal, the end is revealed as a necessary beginning; the limits of the landscape do not function as closure, but as marks that point to a constant «beyond». It is a visual meditation on persistence, where death itself eventually dissolves in the flow of an energy that, after strange eons, is always reborn.